Rosalind Hall

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꿈 kkum 48

New release for the kkum series.

Available on bandcamp and limited release CD

Mastered & cover designed by Yoojun
Released by vurt.

Featured on
Guests playlist 186


Composer for Monsters, A Malthouse Theatre production, in association with Stephanie Lake Company. 
Nominated for a Green Room Award for Outstanding Composition/Sound Design.

24 Nov-11 Dec 2022

An album of the music from Monsters is available on Bandcamp.

“Rosalind Hall’s unsettling composition lets dark synth and frightening noisescape do the dirty work” The Age.

“Rosalind Hall’s score is equally unnerving, creating a rich tapestry for dancers to play with as they flit in and out of light or set” Artshub.

HI-VIZ 2021

Speaker at HI-VIZ, Sound As Knowledge Exchange.

Presented by Chamber Made and the Substation.

15 October 2021.
Free Zoom Event

Vector Fields Vol. 1 Compilation

Created by  Melbourne label Music Company.  Digital album available on Bandcamp.

All proceeds go to Black Rainbow.

My Voice  is my Passport

Composition and sound design for Earshot documentary by Miyuki Jokiranta. 

Listen at Earshot, Radio National.

ATT:SPAN Compilation

Created by ATTN:Magazine.
A compilation of 10-second tracks by 206 musicians/bands, designed for shuffle playback. Digital album on Bandcamp.

All profits donated to charity Cool Earth, who work with local people to halt deforestation and climate change.


A commission to produce a new electronic work using the Melbourne Electronic Sound Studio collection and other sources.  The performance outcome will be an 8 channel live diffusion  of the work.

Performance at The Substaion, Newport
November 2, 2019.


Working with mentor Bryony Marks to complete a six-week Screen Composing Bootcamp alongside industry experience. Supported by Screenworks and APRA AMCOS.


Out through Cassauna (Important Records) in April 2019. 

Digital download or cassette available .

Drift is a free fall album consisting of compositions that invoke a sense of hovering expansion. Deeply spacious yet tightly compacted sound movements create holding patterns that slowly shift and evolve. Cycles fall in and out of sync while atmospheres envelop time, appearing on the periphery before being subsumed back into space.


Jim Denley & Rosalind Hall

Jim Denley and I performed over three days  in  Wim Delvoye’s  Chapel  and in the Void, MONA.  

Listen to an interview and an excerpt from one of  our  performances at  New Waves, ABC Classic FM.


Experiments in Freedom

Also  featured at MOFO  was  Experiments in Freedom -
new versions of Percy Grainger’s Free Music machines. 
I produced and reserached the project, collaborating with Michael Candy who designed and built the machines.  Additional coding by Marcus Cook.

Read a review from The Conversation.

MESS Autumn School Scholarship 2018

I have received a place in the MESS Professional Development project with weekely classes and studio sessions from April - June 2018.

Body of People - Melbourne Science Gallery, August 2017

Body of People is a collective sound installation that grows and shifts as participants contribute their heartbeat to a space.  The live recordings form a sonic pool of heart-beats donated by visitors to the space, shifting between synchronisation, polyrhythms and noise. The undulating noise chorus adds to a visceral experience of the space as it becomes a body of many people.

Gossamers release, 2017

Duo with Judith Hamann.
Released by Caduc Recordings.
Read a review from Fluid Radio.
Featured on Late Junction,
BBC Radio 3 and National Sawdust playlist.


Composition and sound design for PaPa, a short film by Ryan Alexander Lloyd.
Official selection imagineNATIVE, Toronto 2017, NZIFF, 2018 and Maoriland Film Festival 2018.

Watch film.

A Thousand Tones compilation release, 2017

Featuring Each Finger, A Glint, a duo track with Judith Hamann. 
Released by Elestial Sound.

Read a review at Tiny Mix Tapes.